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Teachers Charlotte
Angotti While shopping with her mother in 1978 Charlotte wandered into a quilt shop and everything changed from there. Educated in fine arts, speech and drama she brings a variety of talents to class in a most humorous way. She has been teaching quilt making since 1979 because someone asked her to teach them. Her first quilt was sold right after making it and she has sold her quilts ever since. She owned her own quilt shop in Virginia Beach, Va from 1981-1999. She began teaching nationally in 1991 and has taught for many large shows as well as small groups. Along with her kit business, Quilt Maker’s Studio, she now teaches and lectures full time and lives in Harbor Springs, Michigan. Known for her humor, her way with fabric/color and her pre-cut kits Charlotte believes her hobby is quilt making and her job is teaching others to enjoy it as much as she does.
Darlene
Christopherson
Darlene C. Christopherson has been an accomplished quiltmaker since
1979 and has had her work published in the books; "More Vertical
Set Quilts with Style" [AQS] by Bobbie Aug & Sharon Newman.
Sensational Scrap Quilts by Darra Duffy Williamson, Patchwork Portfolio
by Jinny Beyer, Soft-Edge Piecing by Jinny Beyer, Great American Quilts
Book 5 and Scrap Quilts fast and fun by Oxmoor House. Darlene
taught on the staff of the Jinny Beyer Hilton Head Seminar for 5 years
prior to moving from northern Virginia to Sioux Falls, South Dakota
in 1992 and has been teaching and lecturing for guilds and large events
since about 1990. In 1997 she and her husband moved to China Spring,
Texas near Waco.
Debra
M. Danko is an internationally recognized contemporary fabric artist,
lecturer and workshop teacher from southern Michigan. Her wall quilts
have won many prestigious awards in juried national and international
shows. They are also featured in gallery and museum exhibits and in
many publications.
After
chancing upon a sampler quilt pattern at a sidewalk sale in 1997,
Kim Diehl set about making her first quilt without the benefit of
any quiltmaking knowledge or experience, and soon discovered that
she had found a new passion. With
just her third quilt, Kim entered and won American Patchwork &
Quilting magazine's "Pieces of the Past" quilt challenge
in 1998. This win took her life down a new and unexpected path, and
Kim began designing quilts professionally soon after.
Harriet
Hargrave mastered machine embroidery in the mid-1970’s and adapted
machine quilting from there. She was machine quilting when local quilt
guilds thought machine piecing was not kosher. She introduced nylon
thread and free motion quilting to the quilt world through her machine
quilted antique reproduction quilts that appeared to be hand quilted.
Encouraged by Marti Michell, she wrote her first edition of Heirloom
Machine Quilting in 1984. Harriet helped develop an exceptional line
of natural fiber battings for quilters. Author, fabric designer, shop
owner and international teacher, she has spread the word that machine
quilting is okay, and that our quilts are “hand quilted with
an electric needle.” Judy
Niemeyer
As a child, quilting and sewing were
everyday occurrences around her home, just as were milking cows, changing
sprinkler pipes, and stacking hay. Helping tie mother's quilts was
just another job the children were expected to do, whether they wanted
to or not. The problem was, Judy didn't particularly want to, she'd
have rather been out milking the cows.
Specializing
in traditional fine hand appliqué done from original patterns,
Mary's distinctive design style is characterized by elegant, formal
lines, complex layering of small pieces, and an emphasis on using
a myriad of fabrics to create visual texture and excitement. Her flawless
appliqué technique, and humorous, hands-on approach to teaching
have motivated students to return to handwork with enthusiasm.
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Copyright 2008 Quilt
Symposium